Hayley Kiyoko's "Girls Like Girls": A Tender Look at First Love

Roger Ebert

Pulitzer Prize-winning film critic whose reviews and essays defined cinema criticism for decades.

Hayley Kiyoko's directorial debut, "Girls Like Girls," offers a tender and nuanced portrayal of the intoxicating and often heartbreaking journey of first love. Drawing inspiration from her own 2015 hit song, the film delves into the budding romance between two teenage girls, presenting a story that, while familiar in its themes of adolescent discovery, feels profoundly personal and refreshingly authentic. It skillfully navigates the emotional landscape of young affection, from its thrilling beginnings to its inevitable challenges, all while maintaining a delicate balance between universal experience and individual perspective. The narrative, though seemingly straightforward, is imbued with an emotional resonance that elevates it beyond a typical coming-of-age story.

The movie excels in depicting the intense emotional rollercoaster of young love, particularly the overwhelming sensations of attraction and rejection. It avoids overly complex plot devices, instead focusing on the internal struggles and evolving feelings of its characters. This approach allows the film to explore the vulnerability and confusion inherent in discovering one's identity and desires, especially within the context of a nascent queer relationship. The performances and cinematography work in harmony to convey a deep sense of intimacy and discovery, making the familiar narrative feel fresh and deeply impactful.

The Unfolding of Adolescent Affection and Self-Discovery

Hayley Kiyoko's inaugural feature film, "Girls Like Girls," embarks on an exploration of teenage infatuation, depicting the potent thrill and profound sorrow that accompany a first romantic attachment. The movie, inspired by Kiyoko's popular song, chronicles the burgeoning relationship between two young women, a theme that, while not groundbreaking, is rendered with such sincerity that it feels like a revelation. The cinematic approach is characterized by intimate close-ups and an ethereal summer glow, effectively capturing the essence of discovering new emotions and self-identity. This coming-of-age narrative, set against a backdrop that evokes the spirit of the mid-2000s, focuses on the inner world of its protagonists rather than relying on external drama, thus making the universal experience of first love feel intensely personal.

The film's strength lies in its ability to articulate the unspoken emotions and subtle shifts in adolescent relationships. It meticulously portrays the gravitational pull of a budding crush and the crushing weight of disappointment, largely through the compelling performances of Maya da Costa and Myra Molloy. Da Costa's portrayal of Coley, the shy newcomer, communicates volumes through her gaze, conveying a deep longing that transcends dialogue. Molloy, as Sonya, reveals a character whose initial warmth evolves into complex emotions, navigating her first true affection with a blend of hesitancy and innocent exploration. The cinematography by Sonja Tyspin, complemented by Jessica Rose Weiss's dreamy score, enhances this emotional journey by focusing on intimate details that underscore the profound connection between the two leads. The film deliberately keeps other aspects of their lives vague, highlighting that in the throes of first love, little else truly matters, solidifying the emotional core of their bond.

Navigating the Challenges of Emerging Romance

In "Girls Like Girls," the narrative elegantly simplifies its plot to concentrate on the internal complexities of burgeoning love. Set in the summer of 2006, the story introduces Coley, a reserved girl who has recently moved in with her father, and Sonya, an outgoing and popular teenager. Their immediate and undeniable connection forms the core of the film, showcasing how their days quickly fill with shared moments—biking, swimming, and late-night conversations. This depiction is steeped in nostalgia, with production design perfectly capturing the mid-2000s atmosphere, making the blossoming friendship and eventual romance feel authentic and deeply relatable to anyone who has experienced the intensity of young love.

The film deliberately steers clear of introducing sensational external conflicts, choosing instead to focus on the internal hurdles faced by the protagonists. As Coley and Sonya's friendship deepens into romance, Sonya's struggle to fully embrace her feelings and the societal implications of a queer relationship leads to emotional distance. This internal conflict causes Coley immense heartbreak, amplified by her recent personal loss. While Zach Braff's portrayal of Coley's father adds a poignant subplot, it remains secondary to the central romantic drama, emphasizing how consuming first loves can be. The film’s emotional depth, tender performances, and beautiful cinematography allow it to resonate strongly, transforming a seemingly ordinary story into a truly special and memorable cinematic achievement.

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