"The River Train" (El Tren Fluvial), an Argentinian film, is preparing for its global debut at the Berlin International Film Festival. This contemplative coming-of-age narrative, co-directed by Lorenzo Ferro and Lucas A. Vignale, chronicles a young boy's transition from his rural upbringing to the bustling city of Buenos Aires. The film weaves together fictional elements with the real lives of its non-professional cast, particularly its lead, Milo, as he navigates the complexities of identity and self-discovery against the backdrop of Malambo dance traditions and cinematic history.

The film, "The River Train," marks its world premiere in the Berlin International Film Festival's Perspectives section, dedicated to first features. Co-helmed by Lorenzo Ferro, recognized for his acting roles in projects like "El Ángel" and "Narcos," and Lucas A. Vignale, known for his work in the music industry, this movie represents their debut as feature film directors. Their collaboration began with the short film "La Pasión," paving the way for this full-length project.

The narrative centers on nine-year-old Milo, who is burdened by the expectation of becoming a renowned Malambo dancer and the archetypal "perfect son." Malambo, a traditional Argentine folk dance performed by male gauchos, forms a significant part of his heritage. Milo's deepest desire is to break free from these imposed responsibilities, which include daily chores and rigorous Malambo practice. He dreams of embarking on a train journey to Buenos Aires, a city he has only ever experienced through the lens of cinema and television, longing for an existence beyond his current confines.

To realize his aspirations of escaping his family's expectations and rural life, Milo must undertake a solitary journey into the unknown. This voyage to the big city promises new adventures and experiences. The film's blend of fiction and reality is further emphasized by the casting of non-professional actor Milo Barría in the titular role. The ensemble also includes established actors like Rita Pauls and Fabián Casas, alongside members of young Milo's actual family, adding a unique layer of authenticity to the storytelling. Thomas Grinberg served as the cinematographer, while Andres Medina and Vignale were responsible for the editing. Luxbox is managing the international sales for the film, which was produced by Cinco Rayos.

The collaboration between Ferro and Vignale was serendipitous, forming just before the COVID-19 pandemic. Their bond solidified during motorcycle rides and impromptu filming sessions, leading to a shared tattoo and a natural creative partnership. Ferro, with his strength in writing and conceptualization, complements Vignale's technical expertise, creating a harmonious directorial duo. A pivotal moment in the film occurred when Milo's real-life participation in a Malambo competition was incorporated into the story, highlighting the filmmakers' adaptability and commitment to capturing genuine moments.

The movie also subtly references Argentina's rich artistic heritage. For instance, a character Milo encounters in Buenos Aires is played by an individual who, as a child, acted in a film by Leonardo Favio, a significant inspiration for "The River Train." Furthermore, the film's title itself is a homage to Francisco Madariaga's poem, "The Almost River Train." The directors ingeniously integrated a rediscovered YouTube recording of Madariaga reciting his own poem into the film, further intertwining art and reality. Looking ahead, Ferro and Vignale plan to pursue individual projects while maintaining their collaborative spirit, promising future joint ventures.