Este Haim Dreams of Composing for Paul Thomas Anderson, Jokes About Jonny Greenwood's Retirement

Guillermo del Toro

Oscar-winning filmmaker and author whose work and commentary explore fantasy, horror, and cinema.

Este Haim, an accomplished musician and composer, recently shared her long-held ambition to create musical scores for the renowned filmmaker Paul Thomas Anderson. Her current work includes composing for the indie film "Sunny Dancer," but her sights are set on a deeper collaboration with Anderson, whose cinematic artistry she profoundly admires. Haim’s connection with Anderson is well-established, having worked with him on over ten music videos and the short film "Valentine." Her sister Alana Haim also featured prominently in Anderson’s critically acclaimed movie "Licorice Pizza," with Este and other family members making cameo appearances.

Este Haim's Aspiring Collaboration with Paul Thomas Anderson

On February 13, 2026, during a press conference for the film "Sunny Dancer" at the 76th Berlinale International Film Festival in Berlin, Germany, Este Haim articulated her professional aspirations. She described Paul Thomas Anderson as one of the most significant directors of both their generation and of all time, expressing immense gratitude for their past collaborations. Haim endearingly referred to Anderson as an "older brother" figure, underscoring their close working relationship. When asked about potentially composing for his future projects, she humorously remarked, "If Jonny Greenwood happens to retire, I will be right there for Paul whenever he would like." This statement reflects her profound respect for Anderson’s current composer, Jonny Greenwood, while also clearly signaling her readiness and eagerness to take on such a role. Haim also spoke warmly of George Jaques, the burgeoning British director of "Sunny Dancer," whom she now considers a "younger brother," indicating her desire for continued collaboration with him, alongside her ambitious pursuit of working with Anderson.

Este Haim's public declaration of her ambition to score films for Paul Thomas Anderson is more than just a career goal; it's a testament to the power of mentorship and artistic admiration within the film and music industries. Her playful nod to Jonny Greenwood highlights a healthy respect for established talent while also showcasing her own confidence and readiness to step into significant roles. This narrative inspires us to pursue our dreams with passion and persistence, recognizing that every collaboration, whether with a mentor or a burgeoning talent, builds valuable experience and opens new avenues for creative expression.

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